Battle of Waterloo

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Battle of Waterloo military art print series by Ernest Crofts showing Napoleon at Waterloo, British regiments and Wellington at various times during the battle. Military art prints published by Cranston Fine Arts.   


Evening of Waterloo by Ernest Crofts.


Evening of Waterloo by Ernest Crofts.

The French army is in a route, and Napoleon is urged to leave the Battle Field, while the Old Guards protect his carriage.
Item Code : DHM0010Evening of Waterloo by Ernest Crofts. - Editions Available
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Morning of Waterloo by Ernest Crofts.
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Napoleon by Ernest Crofts.
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Wellingtons March From Quatre Bras to Waterloo by Ernest Crofts.


Wellingtons March From Quatre Bras to Waterloo by Ernest Crofts.

Depicting Wellingtons withdrawal on 17th June 1815, the day before Waterloo, when the Prussian retreat to Wavre had left the British position dangerously exposed. There are a lot of similarities between this painting and Meissoniers Friedland 1807, but from a British perspective.
Item Code : DHM0293Wellingtons March From Quatre Bras to Waterloo by Ernest Crofts. - Editions Available
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Limited edition of 200 giclee canvas prints.
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Limited edition of 200 giclee canvas prints.
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Quatre Bras by Lady Elizabeth Butler.
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Morning of Waterloo by Ernest Crofts.
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Wellington At Waterloo by Ernest Crofts.
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Wellington Leaving Quatre Bras for Waterloo by Mark Churms.
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Napoleons Last Grand Attack by Ernest Crofts.


Napoleons Last Grand Attack by Ernest Crofts.

The fourth release of Ernest Crofts Waterloo series. Napoleon is seen with his generals as his faithfull Guard regiments (held in reserve) pass him on their way to the last French attack on the British lines during the last stages of the Battle of Waterloo. Painted in 1895 and was last sold at Sothebys London.
Item Code : DHM0294Napoleons Last Grand Attack by Ernest Crofts. - Editions Available
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Image size 12 inches x 8 inches (31cm x 20cm)noneAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£14.00

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GICLEE
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Limited edition of 200 giclee canvas prints.
Full Item Details
Image size 12 inches x 8 inches (31cm x 20cm)noneAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£590.00

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GICLEE
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Limited edition of 200 giclee canvas prints.
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Image size 30 inches x 19 inches (76cm x 48cm)noneAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£390.00

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Limited edition of 200 giclee canvas prints.
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Image size 36 inches x 24 inches (91cm x 61cm)noneAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£500.00

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Napoleons Last Inspection Before Waterloo by J P Beadle.
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Wellington At Waterloo by Ernest Crofts.


Wellington At Waterloo by Ernest Crofts.

Depicting Wellington directing the deployment of reserves from his famous position under the tree at Waterloo.
Item Code : DHM0494Wellington At Waterloo by Ernest Crofts. - Editions Available
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Wellingtons March From Quatre Bras to Waterloo by Ernest Crofts.
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The Capture of A French Battery by Ernest Crofts.


The Capture of A French Battery by Ernest Crofts.

The 52nd Regiment captures a French Battery at Waterloo.
Item Code : DHM0487The Capture of A French Battery by Ernest Crofts. - Editions Available
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Limited edition of 200 giclee canvas prints.
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Image size 40 inches x 30 inches (102cm x 76cm)noneAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£500.00

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GICLEE
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Limited edition of 200 giclee canvas prints.
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Defence of Hougoumont Farm by Robert Hillingford.
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Morning of Waterloo by Aylward.
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Morning of Waterloo by Ernest Crofts.


Morning of Waterloo by Ernest Crofts.

Napoleon on the morning of Waterloo surrounded by the Imperial Guard. In fact, all the French Infantry would have been wearing their capotes (greatcoats)
Item Code : DHM0292Morning of Waterloo by Ernest Crofts. - Editions Available
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Wellingtons March From Quatre Bras to Waterloo by Ernest Crofts.
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Evening of Waterloo by Ernest Crofts.
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Battle of Waterloo
Battle of Waterloo

On February 26th 1815, barely ten months after the end of the Peninsular War, Napoleon sailed from Elba to bring about the end of his brief period of exile. It was the beginning of the final, momentous chapter of the Napoleonic Wars that would culminate in the great battle of Waterloo and Napoleon's final downfall. The campaign was also to result in a head to head between the two great commanders of the age, Wellington and Napoleon, two men who had yet to face each other in battle.

Napoleon landed in France on March 1st and entered Paris on March 20th. He immediately set to work raising an army, the so-called Army of the North which, by the time of the Waterloo campaign consisted of 125,000 men. Facing Napoleon were the armies of the Seventh Coalition - it had declared Napoleon `an enemy and disturber of the world' - which numbered as many as 800,000 men. But of the various armies opposed to him it would be the Anglo-Dutch army, under Wellington, and Marshal Blucher's Army of the Lower Rhine that would be the object of Napoleon's thrust in June 1815.

Wellington's Anglo-Dutch army was a marked contrast to that which had triumphed in the Peninsula, that particular army having been dispersed and scattered around the world, mainly to America, and only a handful of his Peninsular regiments would be present with him at Waterloo. Many of these were already in Holland having served with Sir Thomas Graham's force which had taken part in the campaign against Bergen-op-Zoom in 1813 and 1814. In fact, only 34,000 of the 100,000 troops under Wellington were British, the rest being Germans, Hanoverians and Brunswickers, all good troops, and a large contingent of Nassauers, Dutch and Belgians. It was, as Wellington was moved to write, `an infamous army, very weak and ill-equipped.' His staff was very inexperienced, although he did have several `old heads' from the Peninsula, such as Hill, Picton, Alten, Kempt, Pack and Somerset. He also had the services of the Earl of Uxbridge as commander of the Allied cavalry. Uxbridge had eloped with the latter's sister-in-law early on in the Peninsular campaign and following the Corunna campaign of 1808-09 saw no further service. As a result of this the British cavalry in the Peninsula was deprived of the only real cavalry commander the British Army possessed. Nevertheless, old differences having been settled, Uxbridge was to lead the cavalry with distinction during the Waterloo campaign.

On June 15th 1815 Napoleon's army crossed the Sambre, catching Wellington, who was dancing the night away with his officers at the now-famous ball, given by the Duchess of Richmond, by surprise. His army had concentrated to the south of Brussels with Blucher's Prussians on its left. Napoleon's plan was to drive a wedge between the two and fight each army separately. It was vital, therefore, to prevent co-operation between the two and on June 16th the two battles designed to ensure this were fought. At Ligny, Napoleon himself attacked Blucher and gave him a severe mauling while Ney, with about 42,000 men, attacked Wellington at the crossroads at Quatre Bras. The end result of a day of hard, confused fighting was that Blucher, having been forced to retreat north, in turn forced Wellington to withdraw in the same direction, marching parallel with the Prussians and keeping in close contact with them throughout.



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Evening of waterloo by Ernest Crofts,  The French army is in a route, and Napoleon is urged to leave the Battle Field, while the Old Guards  protect his carriage.

 Morning of Waterloo by Ernest Crofts  Napoleon on the morning of Waterloo surrounded by the Imperial Guard. In fact, all the French Infantry would have been wearing their capotes (greatcoats).

Wellingtons March From Quatre Bras to Waterloo by Ernest Crofts  Depicting Wellingtons withdrawal on 17th June 1815, the day before Waterloo, when the Prussian retreat to Wavre had left the British position dangerously exposed. There are a lot of similarities between this painting and Meissoniers Friedland 1807, but from a British perspective.

The Capture of A French Battery by Ernest Crofts  The 52nd Regiment captures a French Battery at Waterloo.

Napoleons Last Grand Attack by Ernest Crofts  The fourth release of Ernest Crofts Waterloo series. Painted in 1895 and was last sold at Sotheby's London. Available in three sizes:

Wellington At Waterloo by Ernest Crofts Depicting Wellington directing the deployment of reserves from his famous position under the tree at Waterloo.

 

 

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