Beaufighter aircraft art by artist
Robert Taylor. Aviation art prints of the Beaufighter aircraft by artist
Robert Taylor.
Strike and Strike Again by Robert Taylor.
By the spring of 1945, Germanys once all-conquering submarine fleet, driven by allied forces from its bases in estern France, had fled to the relative safety of the Norwegian fjords - territory still remaining under German occupation since 1940. In one of Hitlers last stands, more than 100 U-Boats, merchant freighters, flakships, and other military vessels were hathered in the narrow fjords, laying up by day and sailing undercover of darkness. They were a menace that had to be dealt with. Tasked with the difficult job of eliminating this force were the Beaufighters and Mosquitos of RAF Coastal Commands Strike Wings based in Scotland. - Our job was to go after this shipping and sink it - recalled Wing Commader Colin Milson, C.O. of No. 455s Beaufighters. - The fjords were often just 200 - 300 yards across with cliffs rising vertically up 2000 feet, the deep water allowing the German shipping to get in beneath these high overhanging cliffs. This made for difficult and dangerous fly.........
Chris has produced a wealth of impressive paintings from the Napoleonic War, American Civil War, English Civil War, and a variety of Portraits of Great Military Leaders, He also has produced superb paintings of Pirates, a particular favourite of his. Chris studied at Berkshire College of Art 1966 - 1970 and then worked for Halas and Batchelor as a background artist. In the golden age of book cover illustration Chris made the Gunslinger, Crow and Herne series his own. To this day the shelves of high street booksellers are full of his work. Perhaps his best known popular pieces are in the now famous Jorvik Centres paintings which form the focus of the exhibitions promotion and won a travel industry award. In recent years his best work has been paintings, such as SPQR, Anne Bonny, Mary Reid and Calico Jack Rakam and Blackbeard in Damnation Seize My Soul. His super realistic style, using oils, brilliantly reflects the techniques, passion and depth of the old masters. He has a particular love of portraiture, which his portraits of Wellington and William of Orange certainly reflect, along with others from the English Civil War, his love of the subject. He is also fascinated by the awful romance of weaponry and war. Chris uses traditional Dutch paints made today, as in 1664, and is meticulous in his research and attention to detail, so scarce in our modern throw away society. Sir Anthony Van Dyke, William Dobson, Sir Peter Lely and Fortunio Matania played a vital part in his formative years. He also is much influenced by Meissonier and De Neuville.
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