Messerschmitt Me110 aircraft art prints by Nicolas Trudgian. Luftwaffe
aviation art of World War Two.
Into The Cloak of Darkness by Nicolas Trudgian
A Heinkel 219 and a Messerschmitt 110 of NJG-1 climbing out from their base a Munster Hansdorf, as they set out on a deadly mission. Ten aircraft took off to intercept a major raid on Dusseldorf, the night witnessing a fierce battle high above the darkened city. NJG-1 crews assisted with the downing of 19 RAF bombers, one Luftwaffe pilot being credited with no fewer than 6 victories that night. Below them the spectacular Ruhr Valley is vibrant in its mantle of winters first snowfall on the night of November 2, 1944
Item Code : DHM2055
Into The Cloak of Darkness by Nicolas Trudgian - Editions Available
Messerschmitt Me110s and 109s of the Luftwaffes 210 Gruppe based at Calais-Marck in northern France, make a low-level run across the Kent countryside after a surprise attack on R.A.F. Biggin Hill, August 30, 1940
Item Code : DHM2448
One - Tens Over Kent by Nicolas Trudgian - Editions Available
Slow, frail, out-dated and hopelessly outnumbered, Gladiator biplanes of 112 Squadron RAF tenaciously throw themselves into the fray, attacking Luftwaffe fighter-bombers in the battle for Crete, in April 1941. This painting shows Me110Cs of II./ZG76, having attacked naval units off the coast of Crete in early May 1941, being bravely intercepted by two Gladiators of 112 Squadron. Heavily outnumbered, the best the RAF pilots can hope for is to disrupt the Luftwaffe formation. And this they continued to do until, literally, they had no more aircraft left!
Item Code : DHM2615
Operation Mercury by Nicolas Trudgian. - Editions Available
The German High Command entered World War II with the notion that the war would be quickly won, and certainly without the need to fight at night. The RAF changed all that when Bomber Command, having suffered appalling losses in daylight, turned to attacking under the cloak of darkness. By mid-1940 the Luftwaffe was forced to hurriedly form its first night fighter wing utilising the Messerschmitt Bf110. Without specialised equipment, initially Luftwaffe pilots relied on visual acquisition, detecting enemy aircraft with the aid of searchlights. To combat intensifying RAF night attacks, new electronic methods of navigation and detection were developed, and by the end on 1942 the German night fighter force had almost 400 aircraft contesting the night skies. Almost 1300 British aircraft were destroyed in that year alone.The Bf110G-4 of 47-night victory pilot Oberleutnant Martin Drewes at dusk in March 1944, heading out to intercept in-bound British four-engined bombers over north west.........
Chris has produced a wealth of impressive paintings from the Napoleonic War, American Civil War, English Civil War, and a variety of Portraits of Great Military Leaders, He also has produced superb paintings of Pirates, a particular favourite of his. Chris studied at Berkshire College of Art 1966 - 1970 and then worked for Halas and Batchelor as a background artist. In the golden age of book cover illustration Chris made the Gunslinger, Crow and Herne series his own. To this day the shelves of high street booksellers are full of his work. Perhaps his best known popular pieces are in the now famous Jorvik Centres paintings which form the focus of the exhibitions promotion and won a travel industry award. In recent years his best work has been paintings, such as SPQR, Anne Bonny, Mary Reid and Calico Jack Rakam and Blackbeard in Damnation Seize My Soul. His super realistic style, using oils, brilliantly reflects the techniques, passion and depth of the old masters. He has a particular love of portraiture, which his portraits of Wellington and William of Orange certainly reflect, along with others from the English Civil War, his love of the subject. He is also fascinated by the awful romance of weaponry and war. Chris uses traditional Dutch paints made today, as in 1664, and is meticulous in his research and attention to detail, so scarce in our modern throw away society. Sir Anthony Van Dyke, William Dobson, Sir Peter Lely and Fortunio Matania played a vital part in his formative years. He also is much influenced by Meissonier and De Neuville.
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